Chico Hamilton Quintet In Hi-fi

WHAT NYMITH SAYS

The only problem I have with this album is that it contains nothing quite as remarkable as the Middle Eastern expanse of 'Blue Sands.' Otherwise this is more elegant yet quirky chamber jazz from Chico Hamilton and his Quintet - same lineup as last time, same creativity (arguably even more so), and unusual instrumentation. It was a slow grower for me, but so was their first album. Appreciating Chico Hamilton takes time but you grow to love him.

There is more versatility on display this time around. 'Jonalah' begins the Hi-Fi record on a high note, declaring that this time around the pace is quicker and the playfulness more fully pronounced. And indeed, with the exception of 'The Wind,' a lovely throwback to the With Buddy Collette album (whose title is now doubly horrible because Buddy Collette was part of these sessions as well), it fulfils your expectations.

More than that. 'Drums West' is easily the best track and it is a drum solo. Hamilton takes to the stage and delivers the goods - a clever, dynamic percussionist's heaven. Four minutes that you wish would last longer, something I almost never say about drum solos. Everyone contributes to the upbeat energy of the Quintet in Hi-Fi, from cellist to bass player. However, this is NOT high-octane jazz, which is how it took me four listens to recognise the energy implicit in their performances.

I would say there are only two missteps. 'Chrissie' pushes the whimsy meter to the breaking point and they decide to cover 'Taking a Chance on Love,' whose more conventional melody makes it an ill fit for the record. I would highlight 'Jonalah' for more satisfactory cuteness and 'The Ghost' for Fred Katz' cello work but the record is quite consistent. Clever yet casual. Another excellent jazz album from 1956.

WHAT TICHARU SAYS

I love this record! It's inventive to the nines. Classical, twee, weird with sudden funky breaks. Awesome! I don't think there's a weak moment on this album. I'd give it 10 stars out of 10 without hesitation. A musical direction what needs bringin' back!

My complaint about Jim Hall's sort of ordinary guitar noodles on their last album, something he must've taken on board, sounds like he's trying harder on this one. So maybe that's the only thing, I'd still like a little more madcap guitar eccentrics but it's really a minor point, a minor quibble with a fantastic record. Put it on yer playlist!